Exhibition held at the Marcos Valcárcel de Ourense Cultural Center. I am interested in art as a means of expressing emotions, as another form of dialogue in which our concerns and our thoughts are visible.

The works we create are a reflection of our desires or reworked memories, as we do with dreams. By objectifying them, by giving them corporeality beyond the evanescence of our mind, it allows us to face them in real life. This reflects an emotional need, to understand each other.

The "fat" figures actually visualize them as mountains. They look real, but they are condensed ../images like those of dreams. From our sleeper perspective, the ../images of our mind are perfectly real and logical. From the vigil perspective, we recognize these innocent ../images formed by a multitude of different personal experiences. It is fascinating to try to crack this language code between our emotions and our reason. Something like this happens with these works and we doubt, for example, whether they are men, women, young or old. They are really a mixture of everything at once, like any obsessive image. Despite being vital, they still have great architectural rigor.

From another perspective, they are a kind of mother goddesses, mountain spirits, something telluric reflection of my childhood landscape. Apart from the obvious human appearance, in general feminine, they evoke a certain orography that varies its format according to the different times in which I made them. They were changing, from explosive shapes to rectangular, quadrangular or fully embedded formats on themselves. Non stop being curious that something so simple in appearance (a person changing position) exerts this fascination for so many years and always address it as a new formal problem.

Pigmalión y Galatea
Recuerdos de otros tiempos
La aparición
El monje
Transportando el mundo
La despensa
El baño de Susana
El fanfarrón
El dolor